Tag Archives: hip-hop

Love & Hip Hop… & Basketball

Amber Rose is engaged?!?!? Hoes be winning!!!
Is LeBron carrying a Louis Vutton purse to a game?  Midtown Mo and William H. Strafe discuss all this and more, including a female double standard, Derrick Rose’s $250 million contract with adidas and why the Drexel Dragons are choking dogs.

Click here to listen to the show.

Click here if you’re on a mobile device (or right click and hit “Save As” to download).

The Birth of “D.O.A.”

This is the sample used for Jay-Z’s summer anthem “Death of Autotune.”

To quote The Venerable Mike Lowery (@JMikey on Twitter):

WOW…I just started jamming when the horns hit…Damn near stood up

Shout-out to NO I.D. & Mr. West

The D.O.A. Podcast

On Monday, our good friend Mo W. Bush decided to use Twitter to attack Jay-Z’s new song, Death of Autotune (D.O.A.) for inexplicably no reason.

Another good friend, Da Senator (the last real Hov fan on the planet from our first podcast) caught wind of this attack and offered to debate Mo W. at the Polo Grounds (read: my crib)

Mo said wind up the podcast.

Alllllready.

So we have Mo, D, a bottle of Hennessy 44 (Obama version), and myself moderating in front of an impromptu crowd that really just wanted to watch Game 4 of the NBA Finals before heading to the strip club.

That last part about the strip club, I did not make up.

Enjoy.

(Click here for the podcast.)

PS – I haven’t edited this for sh!t. I give it to you raw, no homo.

D.O.A Didn’t Kill AutoTune. This Did

No words…

D.O.A & The Legacy of Jay-Z

Lil’ Wayne likes to refer to himself as the “Best Rapper Alive.”

Well, as far as I’m concerned, as long as there is still air in the lungs of Shawn Corey Carter, that title belongs to artist we all know as Jay-Z.

What makes him more than eligible to claim this title is his endless catalogue of hit records, laced with the lyrical intelligence that few have managed to reach over the last 13-plus years.

What also sets Jay apart from the rest of the pack is his ability to influence the culture of hip-hop with one line.

Not one song. One line.

“We don’t drive X5’s we give ‘em to baby mamas”

Dudes really traded in their X5′s for another SUV when Jay dropped that line. When my uncle first bought an X5, I ridiculed him mercilessly for weeks about it. (I then realized he was driving an X5 and I was riding the No. 5 train everywhere. I was like 21, leave me alone).

“I don’t wear jerseys I’m 30-plus/ I wear a crisp pair of jeans n—a button up.”

A lot of dudes switched their wardrobe up real quick, including my boy Dorian, who must have had $10,000 worth of throwback jerseys in his closet. 2003 was the year collared shirts and Air Force Ones (neat and clean AF1′s) became the norm in NYC.

“This ain’t Diesel n—a this is Evisu

“Iceberg sweats/I-B on the Elastic!”

“What’s the difference between a 4.0 and a 4.6? Thirty to forty grand cocksucker beat it!”

In all of those lines, one would say that Mr. Carter wasn’t proactive as much as he was reactive. That is, the lines above were merely observations about the trends he was/was no longer following, slid discreetly into a verse, and that was that. Whether hip-hop culture chose to move in the direction or not was fine by him, either way.

The problem was, it did.

And he noticed.

Fast forward to this past Friday night and the release of D.O.A. (Death of Autotune) on Hot 97 FM in New York. At face value, it seems as if Jay-Z was sick and tired of watching artists base their whole careers and all of their “hit records” on a machine that distorted their voices, and sought to do something about it.

Sure, the song got everyone on the East Coast (read: Greater New York) hyped to holy hell. (I couldn’t walk through Harlem for more than three blocks without hearing it blasting from a car or from someone’s house this weekend.)

At the same time, how this song is received may very well alter the legacy of Jay-Z.

Now, one can argue that this is the first time that Jay has purposely tried to influence the culture of hip-hop in his music, and not just with one line, but an entire song.

If the song becomes a hit, and AT (Autotune) songs lose airplay faster than Milli Vanilli after the lip-sync scandal, then the hip-hop world will continue to spin on its axis.

HOWEVAH…

Ron Brow

Ron Browz

What if Ron Browz drops another AT hit that rocks the clubs all summer? (The guy is a talented beatmaker, so it’s not out of the realm of possibility.)

What if some Dirty South rappers get together and make a posse cut diss record toward Jay…completely in AT?

What if the kids and young adults (25 and under) don’t even bother syncing D.O.A. into their iPods, choosing to follow DJ Webstar & Jim Jones instead?

If this happens, Jay’s influence on hip-hop culture can be severely weakened.

Five, ten years from now, when they look back at the history of this culture, will Jay-Z be seen as the absolute GOAT? Or will he be viewed as someone who was really good but ended up being some over-the-hill guy who didn’t know when to bow out?

As blasphemous as this can sound to some, remember that it’s that same 25-and-under age group that drives this hip-hop car, for the most part.

And an 18-year-old kid today (June 8, 2009), when Reasonable Doubt dropped, was all of FIVE years old.

Besides, Jay-Z already dropped what had the chance to be a culture-altering line not even two years ago, remember?

“I don’t wear skinny jeans ’cause my knots don’t fit.”

That same kid probably brushed that comment away, put on his skinny jeans and ice creams and started practicing his Get Lite in the mirror.

- William H. Strafe

The Vibe Racket: Part II (UPDATED)

(NOTE:  The second half of The Vibe Racket: Part II podcast is available. Scroll to the end of the page.)

Welcome to the nitty gritty.

Last time, we just ripped the bracket to shreds.

This time , welcome to the All-Star podcast: Streetz, Radio The Rahim, Bobby Drake and yours truly filled out Vibe’s bracket to determine the Best Rapper Ever…while ripping it to shreds.

Highlights include:

Did a certain Harlem rapper have a ghostwriter early in his career?
Take everything you hear from a Queens native about a Queens native with a few grains of salt.
The LL Cool J-Canibus battle revisited.
Which top 5-seeded rapper(s) got a 1st round knockout?
Who didn’t deserve a #1 seed?
Over/under on pause/no homo/no rainbow/that’s what she said references: 32

And a special guest appearance from our favorite correctional officer.

For the actual Vibe bracket, go here.

The podcast was so crazy we had to split it into two parts. Check out Part  1 here.

UPDATE!!!:  Part 2 of the podcast now available! Click here.

The Vibe Racket: Part I

So Vibe decided that we, the hip-hop- (or lack thereof) loving community needed to watch them create a NCAA Tournament-style bracket to determine the “Best Rapper Ever.”

The criteria given? None. The definition of a rapper? None.

Great job, guys.

Obviously, if you take 131 rappers and assign a rank to him/her, there WILL be reactions, like the one from my main man Joe Budden (a No. 32 seed) , who proceeded to list all the rappers ranked above him whom he would disembowel (most notably, Method Man).

(For those not caught up on that whole exchange, go here. Then here. Then here.)

We, the good people at seveneighteen, decided to take Vibe to task, and will do so in three parts:

  1. Myself, J. Mikey & Da Senator will discuss the Vibe bracket on a podcast.
  2. Myself, J. Mikey, Coach Phil (of Da Lake Squad) & Radio The Rahim (of VladTV.com) will each fill out a section of the Vibe bracket as Vibe has given it to us, and post our completed brackets here.
  3. The aforementioned four, along with other special invited guests, will then rip the Vibe bracket up and reconstruct it as we see fit on another podcast.

First things first… William H., J. Mikey aka The Real Mike Lowery and Da Senator begin the deconstruction. Topics covered include:

  • Is Joey’s ranking fair?
  • Is Andre 3000 a top 12 rapper ever?
  • Biz Markie? Doug E. Fresh? Bow Wow?!?
  • How is Jay-Z not a No. 1?
  • Does Vibe blow?

Check out the podcast here.

Five Questions I’d Ask Jay-Z

Why did you make Kanye buy two tickets?
Seriously… the dude made a few hit records for you by then (Izzo, Guess Who’s Back, Encore, etc.). The LEAST you coulda did was give him one ticket to a Roc-A-Fella show. I hope you didn’t have half of Marcy, their friends and Beyonce’s half-sister’s baby cousin in there and left out Mr. West, because that would have been wrong on so many levels.

Which Dame Dash signing sent you over the edge? Cam’ron or Ol’ Dirty Bastard?
I know you said in XXL that the Cam’ron move wasn’t necessarily the straw that broke the camel’s back. But I know ODB had to be a head scratcher. Come on, admit it.
What do you think when you see Dame Dash flipping out because he didn’t get invited to a Def Jam meeting about you, meanwhile pulled that Cam’ron move?
I think I can answer that one for you. “Oh, the irony.”


Why was Joe Budden’s progress at Def Jam seemingly stifled when you became president of the label?

Full disclosure: Joey is my favorite rapper. OK, stop laughing. Seriously. The kid is nice. And that’s what gets me, Jay. He’s NICE. And he seems to get it. His first album had two bangers (Pump It Up and Fire) and went gold with damn near no promotion…and he gets stuck in a drawer for five years? Some people have said you seriously viewed him as a threat…and I can honestly believe that. What happened? Did he look at Beyonce funny one day? He stepped on your S Dots? You tried to make him collaborate with Amil?

Would you…or could you…ever write an autobiography?
I mean, of all the rags-to-riches stories that exist, yours probably would have some of the greatest background leading up to starting Roc-A-Fella. Throw in the breakup…the whole Un Rivera thing…Beyonce…Joey…it would be a great story…and even a better movie.

That’s all…for now…

- William H. Strafe